12.12.2023 - 14.12.2023

中國古代藝術保護國際研討會
The International Symposium on Chinese Art Conservation
承前啟後
Best Practices and
Future Directions
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Programme Day by Day


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VISIT TO MUSEUMS AND CONSERVATION FACILITIES
The conservation laboratories of the Conservation Office and Hong Kong Heritage Museum of the Leisure and Cultural Services Department
1 Man Lam Road, Sha Tin

The conservation studio and Gallery 2 of the Hong Kong Palace Museum
8 Museum Drive, West Kowloon Cultural District, Kowloon


09:15–10:00

Registration
Group A: LG/F, The Hong Kong Palace Museum
Group B: Hong Kong Heritage Museum

 

10:00–12:00

Visit

Group A:

Visit to the conservation studio and Gallery 2 of the Hong Kong Palace Museum

Xiangmei Gu, The Smithsonian’s National Museum of Asian Art
Zhichao Lyu, Jessie Liang, The Hong Kong Palace Museum

Group B:

Visit to the conservation laboratories of the Conservation Office and Hong Kong Heritage Museum of the Leisure and Cultural Services Department

Leung Shung Tin, Tang Man Wai, Kam Yuen Kwan, Cheung Yuen Kuen, Conservation Office, Leisure and Cultural Services Department

14:00–16:00

Group A:

Visit to the conservation laboratories of the Conservation Office and Hong Kong Heritage Museum of the Leisure and Cultural Services Department

Leung Shung Tin, Tang Man Wai, Kam Yuen Kwan, Cheung Yuen Kuen, Conservation Office, Leisure and Cultural Services Department

Group B:

Visit to the conservation studio and Gallery 2 of the Hong Kong Palace Museum

Xiangmei Gu, The Smithsonian’s National Museum of Asian Art
Zhichao Lyu, Jessie Liang, The Hong Kong Palace Museum

KEYNOTE SPEECHES AND ROUNDTABLE
The Hong Kong Jockey Club Auditorium, LG/F, The Hong Kong Palace Museum
8 Museum Drive, West Kowloon Cultural District, Kowloon


08:15–9:00

Registration
LG/F, The Hong Kong Palace Museum
8 Museum Drive, West Kowloon Cultural District, Kowloon

09:00–9:30

Opening Ceremony

KEYNOTE SPEECHES


The Current State and Future Directions of Chinese Art Conservation

Directors and conservation leaders from top-tier institutions around the world share their insights into the current state and future directions of Chinese art conservation.

09:30–10:00

Keynote Speech 1

The Current State and Future Directions of International Collaboration in Chinese Art Conservation
Wang Xudong, Director, The Palace Museum

10:00–10:30

Keynote Speech 2

The History, Development, and Future Direction of Preserving Dunhuang Grottoes
Guo Qinglin, Deputy Director, The Dunhuang Academy

10:30–11:00

Break

11:00–11:30

Keynote Speech 3

Preserving Cultural Heritage in Hong Kong: The Past and the Future
Louis Ng, Director, The Hong Kong Palace Museum

11:30–12:00

Q & A


14:00–14:30

Keynote Speech 4

Conservation at the Smithsonian’s National Museum of Asian Art: Past, Present and Future
Chase F. Robinson, Dame Jillian Sackler Director, The Smithsonian’s National Museum of Asian Art

14:30–15:00

Keynote Speech 5

Chinese Painting and Calligraphy Conservation in Japanese Museums
Jun Tomita, Director, Kyushu National Museum

15:00–15:30

Keynote Speech 6

Conserving Archaeological Textiles in China: The Past and the Future
Zhao Feng, Dean, School of Art and Archaeology, Zhejiang University

15:30–16:00

Q & A

16:00–16:30

Break

16:30–17:45

ROUNDTABLE


International and Inter-institutional Collaboration in Chinese Art Conservation

Panelists

Jun Tomita, Kyushu National Museum

Zhao Feng, School of Art and Archaeology, Zhejiang University

Guo Qinglin, The Dunhuang Academy

Tse Kin Fai, Edward, Conservation Office, Leisure and Cultural Services Department

Daisy Yiyou Wang, The Hong Kong Palace Museum

Donna Strahan, Conservation and Scientific Research, The Smithsonian’s National Museum of Asian Art

Lei Yong, Conservation Department, The Palace Museum

CONCURRENT AND PLENARY SESSIONS
The Hong Kong Jockey Club Auditorium, LG/F, The Hong Kong Palace Museum
8 Museum Drive, West Kowloon Cultural District, Kowloon


08:15–09:15

Registration
LG/F, The Hong Kong Palace Museum
8 Museum Drive, West Kowloon Cultural District, Kowloon

CONCURRENT SESSIONS | THE HONG KONG JOCKEY CLUB AUDITORIUM


New Conservation Facilities and Conservation Concerns for New Museums

Building new museums or expanding or renovating museums often brings immense pressure on all fronts. How do conservation specialists handle the monumental tasks of monitoring the environment and ensuring the safety of objects when they are handled, shipped, stored, or treated? How do they plan, establish, and upgrade conservation facilities? Speakers will share their firsthand experience of conservation in new and renovated museums, from planning to creating policies and standard operating procedures, team building, staff training, and facilitating cross-departmental collaboration.

09:15–10:15

Hong Kong Jockey Club Auditorium Session 1:
Conservation in New Museums

Putting Conservation Work on Display in the Shaanxi Archaeological Museum: Practice and Reflection
Zhao Xichen, Shaanxi Academy of Archaeology

Considerations in the Implementation of Preventive Conservation in a New Museum
Shen Guiyun, Liaoning Provincial Museum

Planning and Building Infrastructure for Conservation and Scientific Research at The Palace Museum
Gu An, The Palace Museum

Conservation for a New Museum: A Case Study of the Hong Kong Palace Museum
Jessie Jiafang Liang, Zhichao Lyu, The Hong Kong Palace Museum

10:15–10:45

Q & A

10:45–11:15

Break

11:15–12:00

Hong Kong Jockey Club Auditorium Session 2:
Planning, Creating, and Upgrading Conservation Facilities

Recent Progress in the Conservation of Cultural Relics at the National Museum of China
Wang Jianping, National Museum of China

Forging the Next-Level Conservation Facility: Discovering Our Concept in Building Heritage Conservation Resources Centre (HCRC) in Hong Kong
Tse Kin Fai, Edward, Conservation Office, Leisure and Cultural Services Department

A New Studio for Seattle: The Atsuhiko and Ina Goodwin Tateuchi Conservation Center at the Seattle Asian Art Museum
Nicholas Dorman, Seattle Art Museum

12:00–12:30

Q & A

CONCURRENT SESSIONS | MAGNUS HALL


Chinese Conservation Traditions and Innovation

With unique methods and materials and rich cultural meanings, time-honoured Chinese traditional conservation techniques have long formed the bedrock of art conservation in China. These techniques are protected as national intangible cultural heritage. How do we preserve and carry forward these traditions? How do conservators combine Chinese traditional practices with international conservation concepts, methods, and materials today? Speakers will explore Chinese conservation traditions and innovative practices in the fields of painting, calligraphy, rubbing and object.

09:15–10:00

Magnus Hall Session 1:
Conservation Traditions and Innovation | Painting, Calligraphy, and Rubbing

Styles and Norms of Mounting Rubbings
Zhong Wei, The Shanghai Library

New Development in Scientific Research on and Analysis of Chinese Paintings and Calligraphic Works
Lei Yong, The Palace Museum

New Endeavour – Application of Hydrogel and Partial Remounting for the Treatment of a Chinese Hanging Scroll Painting
Long Chui In, May, Conservation Office, Leisure and Cultural Services Department

10:00–10:30

Q & A

10:30–11:00

Break

11:00–12:00

Magnus Hall Session 2:
Conservation Traditions and Innovation | Object

Experimental Study on Laser Cleaning of Sediments on Marine Archaeological Porcelains
Zhang Huan, Guangdong Museum

The Application of Science and Technology in the Conservation of Ceramic Objects
Ji Dongge, The Palace Museum

Innovation of and Research on Traditional Conservation Techniques of Bronzes at the Shanghai Museum
Zhang Peichen, Shanghai Museum

Surface Characterization of Lacquers Used in Chinese Art with Surface Metrology and Data Science
Patrick Ravines, SUNY Buffalo State University

12:00–12:30

Q & A

CONCURRENT SESSIONS | MERIT HALL


Multidisciplinary Collaboration in Conservation and Heritage Site Preservation

Multidisciplinary collaboration creates new possibilities for the conservation of historic artefacts and heritage site preservation. Speakers will demonstrate how knowledge from diverse fields, such as digital technologies, geology, material science, chemistry, and biology, can help create new methods and new directions in heritage site preservation, conservation of historic artefacts, and scientific research for conservation.

09:15–10:15

Merit Hall Session 1:
Multidisciplinary Collaboration in Heritage Site Preservation

Research on Stability Prediction and Reinforcement Technology of Rock Mass of Grottoes
Li Li, China Academy of Cultural Heritage

Multidisciplinary Collaboration: Advancing Conservation Technology for Polychrome Terracotta Figures and its Utilisation
Zhou Ping, Emperor Qinshihuang’s Mausoleum Site Museum

Dunhuang is No Longer Far Away — The Transformation and Utilisation of the “Digital Dunhuang” Repository
Ding Xiaosheng, The Dunhuang Academy

Preserving Grand Heritage Sites: A Case Study of Yuanmingyuan
Qiu Wenzhong, Yuanmingyuan Administration Office of Haidian District, Beijing

10:15–10:45

Q & A

10:45–11:15

Break

11:15–12:15

Merit Hall Session 2:
New Methods and New Technologies in Conservation and Scientific Research

Detection of Trace Silk Residue Based on Immunology
Zhou Yang, China National Silk Museum

The New Development of Non- Destructive Technologies for Technical Study and Conservation of Cultural Relics
Gu An, The Palace Museum

The Application of Several Non- Destructive Analysis Techniques in the Conservation of Immovable Cultural Heritage
Yu Zongren, The Dunhuang Academy

Scientific Research on Traditional Handmade Paper in China
Chen Gang, Fudan University

12:15–12:30

Q & A

PLENARY SESSIONS | THE HONG KONG JOCKEY CLUB AUDITORIUM


Innovative Public Education on Chinese Art Conservation

Conservation has gained great popularity with the public in recent years. Museums and conservation organisations are exploring creative ways to interest the general public, raise their awareness of conservation, and engage them to support conservation projects. Speakers will share their experience in developing and implementing innovative public education programmes on Chinese art conservation. Topics include content development, pedagogy, and school and community partnerships.

14:15–15:00

Chinese Art Conservation Outreach at the Smithsonian’s National Museum of Asian Art
Donna Strahan, The Smithsonian’s National Museum of Asian Art

Cultural Heritage Conservation Education and Outreach at The Palace Museum
Fan Xuechun, The Palace Museum

Harnessing the Power of Community Engagement to Conservation Services in Hong Kong – The Past, Present, and Future
Tse Chi Yuen, Jonathan, Conservation Office, Leisure and Cultural Services Department

15:00–15:30

Q & A

15:30–16:00

Break

The Current State and Future Directions of Conservation Professional Training

A shortage of trained conservation professionals has become a pressing challenge, and a number of institutions face a “pipeline” issue with a widening gap between senior and junior conservation specialists. Speakers will share their experience in professional training to nurture future conservation experts in museums, conservation institutes, and universities. Topics include training mechanisms, curriculum design, teaching materials, pedagogy, teaching traditional techniques, and in ternational collaboration.

16:00–16:50

The Establishment and Development of the International Institute for Conservation (IIC) Training Center in Beijing
Lei Yong, The Palace Museum

Reflection on Training Conservation Specialists in Universities: A Case Study of the Fudan University
Chen Gang, Fudan University

Challenges in Teaching Conservation at the University Level
Gesa Schwantes, Shanghai University

Bridging the Gap in Conservation Education: An Interdisciplinary Approach to Preserving China’s Cultural Treasures
Lorinda Wong, The Courtauld Institute of Art

Review and Prospects of Heritage Conservation and Restoration Training in Macao
Chan Chi Leong, Francisco, Macao Institute of Conservation and Restoration of Cultural Relics

16:50–17:20

Q & A

17:20–17:35

Closing Ceremony

Remarks
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The Organising Committe of the Symposium, the organisers or partner reserve the right to change or cancel any programmes or contents related to the symposium without prior notice. The Organising Committe of the Symposium, the organisers or partner are not liable for any loss or inconvenience caused as a result of such changes or cancellations.
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